Tuesday, 17 December 2013
Saturday, 14 December 2013
Thursday, 12 December 2013
Risk Assessment
Risk Assessment
Group Members: Jack, Royce, Corey and Michael Location:
A Room
Hazard
|
Person(s)
at Risk
|
Likelihood
of Hazard
1 –
Extremely Unlikely
5 –
Extremely Likely
|
Severity
of Hazard Outcomes
1 –
Very Low Risk
5 –
Very High Risk
|
Risk
Level
(Likelihood
+ Severity)
2
|
Measures
to Take to Manage Risk
|
Risk
Managed?
Y/N
|
1.Trip Hazards
|
Everyone
|
2
|
4
|
3
|
Be careful where you walk
|
Y
|
Contacts
Emergency Service: 999
Robert Clack School: 020 8270 4222
Other Contacts:
Robert Clack School: 020 8270 4222
Other Contacts:
Monday, 9 December 2013
Props and costumes
Character Name: Trevor
| |
Costume:
Location 1 Bloody/ripped vest, old shorts with black socks
Location 2
Navy hooded jumper, blue trousers and grey and black trainers with white T – shirt
Location 3
Same as location 2 but the hooded jumper is removed
|
Props:
The chair
The envelope
|
Character Name: Alex
| |
Costume:
Location 2
Blue satin suit, blue/black tie, white shirt, black shoes
Flash watch, other jewellery accessories
|
Props:
The envelope
His phone
|
Character Name: Claudius
| |
Costume: location1
Black on black shirt and tie, black leather gloves, black shoes and a long black coat
|
Props:
Gun
Car chair
Phone
|
Wednesday, 4 December 2013
Shot list, Locations and schedules
Opening scene
Sequence 1 - Location 1 – Waste yard-22nd January 2014
Suspense music played throughout with each shot accompanied by a loud booming sound
|
Shot 1: High Angle shot from behind Trevor in the chair
Shot 2: Long shot diagonal from Trevor in the chair
Shot 3: Long shot opposite picture 2 on a diagonal slant from the chair
Shot 4: Long shot directly in front of Trevor in the chair, dissolve into
First shot at the next location
Sequence 2 - Location 2 – Cutty Sark-14th January 2014
Shot 1: Pan shot from Cutty Sark onto Trevor in front of the ThamesShot 2: Over the shoulder shot of Alex walking towards Trevor while he looks out towards the Thames
Shot 3: Medium shot of Trevor turning around to establish Alex’s presence.
Shot 4: Medium shot of the two men shaking hands on encounter
Shot 5: Low angle/long shot diagonally behind Trevor of Alex saying something to Trevor
Shot 6: Over the shoulder shot of Alex producing envelope from inside his Suit Pocket
Shot 7: Close up of envelope exchange between the two men
Shot 8: Over the shoulder shot of Trevor’s reaction to him passing him the envelope
Shot 9: Long shot of Trevor walking away from Alex while Alex looks in his direction
Shot 10: Medium shot of Alex standing emotionless pulls out his phone and types something
Dissolve back to Location 1
Follow on from sequence 1 picture 4
Shot 1: Long/Medium shot of Trevor on chair, closer than S1 pic 4
Dissolve to location 3
Sequence 4 – Location 3 – Trevor’s house-3rd January 2014
Open from dissolve
Shot 1: Over the shoulder shot of the envelope on Trevor’s coffee Table
Shot 2: Extreme Close Up of the word “Confidential” on the envelope and Trevor removes envelope from the screen
Shot 3: Medium shot of Trevor examining and opening up the envelope to read a letter, looks off camera with a wave of apprehension/uncertainty in his face
Straight cut to Location 1
Follow on from sequence 3 picture 1
Shot 1: Camera directly on Trevor in the chair closer than S3 pic 1
Straight cut to Trevor at location 3

Shot 1: Medium shot of Trevor taking jacket off the hook and putting it on
Shot 2: High angle shot of Trevor walking towards and opening the door
Shot 3: Long/Medium shot of Trevor coming through the door on the outside
Shot 4: Close up on Trevor looking left and right on his doorstep
Shot 5: Pan shot of Trevor walking out of his front garden
Shot 6: Long shot of Trevor walking towards the camera until he gets close enough so that it becomes a close up and then Trevor is punched by a hand from off screen
Straight cut to Location 1
Dissolve back to Location 1
Sequence 3 - Location 1 – Waste land
Follow on from sequence 1 picture 4
Shot 1: Long/Medium shot of Trevor on chair, closer than S1 pic 4
Dissolve to location 3
Sequence 4 – Location 3 – Trevor’s house-3rd January 2014
Open from dissolve
Shot 1: Over the shoulder shot of the envelope on Trevor’s coffee Table
Shot 2: Extreme Close Up of the word “Confidential” on the envelope and Trevor removes envelope from the screen
Shot 3: Medium shot of Trevor examining and opening up the envelope to read a letter, looks off camera with a wave of apprehension/uncertainty in his face
Straight cut to Location 1
Sequence 5 – Location 1 – Waste Yard
Shot 1: Camera directly on Trevor in the chair closer than S3 pic 1
Straight cut to Trevor at location 3

Shot 2: High angle shot of Trevor walking towards and opening the door
Shot 3: Long/Medium shot of Trevor coming through the door on the outside
Shot 4: Close up on Trevor looking left and right on his doorstep
Shot 5: Pan shot of Trevor walking out of his front garden
Shot 6: Long shot of Trevor walking towards the camera until he gets close enough so that it becomes a close up and then Trevor is punched by a hand from off screen
Straight cut to Location 1
Sequence 7 – Location 1 – Waste land
Shot 1: Close up of blooded Trevor on the chair and then being punched from off screen from the audiences’ right by Claudius
Shot 3: Medium shot of Trevor being dragged across the floor by Claudius towards the car in the background
Shot 4: Medium shot of Trevor further being dragged from the perspective of the side of the car
Shot 5: High angle diagonal shot of Trevor being propped up against the car by Claudius
Shot 6: Medium shot on the opposite side of the high angle shot of Trevor on the car
Shot 7: Medium shot behind Claudius of him making a punching gesture and Trevor falling to the side by the car
Shot 8: Low angle shot of Trevor being dragged by Claudius towards the boot of the car
Shot 6: Medium shot on the opposite side of the high angle shot of Trevor on the car
Shot 7: Medium shot behind Claudius of him making a punching gesture and Trevor falling to the side by the car
Shot 8: Low angle shot of Trevor being dragged by Claudius towards the boot of the car
Shot 9: Medium shot of Claudius partially blocked by the car seemingly placing Trevor in the boot
Shot 10: Low angle shot of Claudius producing a gun and as the camera pans away there a loud bang of a gunshot. The sound of the boot being closed is heard and then the car begins to drive off. As it gets far enough away, the camera pans back to Claudius staring straight ahead holding the gun at his side, he turns around and walks away. There is a fade shot into the title of our film.
Shot 10: Low angle shot of Claudius producing a gun and as the camera pans away there a loud bang of a gunshot. The sound of the boot being closed is heard and then the car begins to drive off. As it gets far enough away, the camera pans back to Claudius staring straight ahead holding the gun at his side, he turns around and walks away. There is a fade shot into the title of our film.
Tuesday, 3 December 2013
Classifications
Classifications work to protect children from unsuitable and even harmful content in films and videos and to give consumers information they might need about a particular film or video before deciding whether to watch it or not.
The job of the BBFC to to examine films and age rates films and videos before they are released for the public. The BBFC view films, DVDs and video games and then give them a classification.
There are 6 ratings which are currently being used at the moment:
The U symbol stands for Universal. This means that all audiences aged four years and over can view this film.
PG stands for Parental Guidance. A film with this symbol is suitable for general viewing, however some scenes may be unsuitable for young children.
The 12A classification and video works classified as 12 contain material that is not generally suitable for children aged under 12. The difference between 12A and 12 is that with a 12A, an adult must accompany a children who is under 12 years old.
The 15 classification is only for people aged 15 or above. Anyone under this age are unable to view this film.
Films in this age rating are only for 18. No one under this age can view this film at all.
The R18 category is a special and legally-restricted classification primarily for explicit works of consenting sex or strong fetish material involving adults.
The job of the BBFC to to examine films and age rates films and videos before they are released for the public. The BBFC view films, DVDs and video games and then give them a classification.
There are 6 ratings which are currently being used at the moment:
The U symbol stands for Universal. This means that all audiences aged four years and over can view this film.
PG stands for Parental Guidance. A film with this symbol is suitable for general viewing, however some scenes may be unsuitable for young children.
The 12A classification and video works classified as 12 contain material that is not generally suitable for children aged under 12. The difference between 12A and 12 is that with a 12A, an adult must accompany a children who is under 12 years old.
The 15 classification is only for people aged 15 or above. Anyone under this age are unable to view this film.
Films in this age rating are only for 18. No one under this age can view this film at all.
The R18 category is a special and legally-restricted classification primarily for explicit works of consenting sex or strong fetish material involving adults.
Monday, 2 December 2013
Treatment
Treatment
|
Group Roles
Cinematography: Jack Oxley
Mise-en-scene: Michael Rhodes
Sound: Royce Balogun
Editing: Jack Oxley
|
Title: Pursuit
Tag Line: Revenge is a dish served bloody
|
Synopsis:
Opens up on Trevor, bloody and battered tied hands in a chair, switch of setting where the same guy Trevor is waiting by the thames, a man approaches and produces an envelope and hands it to trevor, he turns away and walks off screen, switches back to Trevor in chair, closer to him, switches back to Trevor at his house, he opens the envelope and is slightly apprehensive, switches back to him in chair even closer, and then switches back to him walking out of his house into the street and then he gets punched. He then is seen in the chair and also gets punched by a character and then gets dragged to a car in which he is further abused by the anonymous character. He is then dragged and placed in the boot of the car and as the camera pans away we are exposed to a loud gunshot. The anonymous character then gets back into the car and the car drives off...
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Key Genre Conventions:
Macguffin – the envelope
|
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